Die Vertraute des Königs by Emma Campion

Wangler, 1856), by Johann Baptist Trenkle (page images at HathiTrust)

Freiburg's gesellschaftliche, theatralische und musikalische institate (Freiburg i.

Jansen, ), by Jan Hermansz Krul (page images at HathiTrust)

Eerlycke tytkorting, bestaende in verscheyde rymen, (Haerlem, H.

Mozart, Weber and Wagner, With Various Essays on Musical Subjects (London: W.

Volume VIII (Posthumous, etc.): multiple formats at.

Volume VII (In Paris and Dresden): page images at HathiTrust US access only.

Volume VI (Religion and Art): multiple formats at.

Volume V (Actors and Singers): page images at HathiTrust US access only.Volume IV (Art and Politics): multiple formats at.Volume III (The Theatre, second impression): multiple formats at.Volume II (Opera and Drama, second edition): multiple formats at.Volume I (The Art-Work of the Future, etc., second edition): multiple formats at.Paul, Trench, Trubner and Co., 1895-1907), by Richard Wagner, trans. Richard Wagner's Prose Works (8 volumes London: K.Old Scores and New Readings: Discussions on Music and Certain Musicians, by John F.Knopf, 1918), by Carl Van Vechten (Gutenberg text and page images)

How to Appreciate Music (New York: Moffat, Yard and Co., 1912), by Gustav Kobbé (Gutenberg text and illustrated HTML).by Internationale Stiftung Mozarteum Salzburg (searchable page images in Austria) Digital Mozart Edition (comprehensive set of his musical compositions, with German commentary and English and German user interfaces), by Wolfgang Amadeus Mozart, ed.Curiosités Musicales: Notes, Analyses, Interprétation de Certaines Particularités Contenues dans les Oeuvres des Grands Maîtres (in French Paris: Firmin Didot Frères, Fils et cie., 1873), by Édouard Marie Ernest Deldevez (multiple formats at ).

Items below (if any) are from related and broader terms. (Wien, Im selbsverlage der Anthropologischen gesellschaft, 1920), by Robert Lach (page images at HathiTrust US access only) Die musik der turk-tatarischen, finnisch-ugrischen und Kaukasusvölker in ihrer entwicklungsgeschichtlichen und psychologischen bedeutung für die entstlehung der musikalischen formen.

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Die Vertraute des Königs by Emma Campion